Abstract Art and Concrete Faith:
Alumni
Donate Painting by Ben Frank Moss
A CHRISTIAN and an abstract landscape painter living in
one body, New Hampshire artist Ben Frank Moss sometimes has a difficult
time talking with his own community of faith about his work. Says
Greg Wolfe, Seattle Pacific University writer-in-residence and editor
of Image:
A Journal of the Arts and Religion, “I’ve admired Ben as an artist
who works
in
abstraction — or near-abstraction — an
artistic form that many Christians don’t
understand or even approve of.”
Moss was recently invited to campus to talk about
his work. During the visit,
alumni Joan Morrow Hollowell ’64 and
Rex Hollowell ’61 presented one of Moss’ paintings to President Philip Eaton,
who
accepted it on behalf of the University.
The painting joins SPU’s growing art collection and will be displayed on campus.
Moss’ canvases seem joyfully splashed with oils. For more than 30 years, his
work has been shown throughout the United States and in 1995 was featured in
Image. “Hidden away, deep in the artist,” Moss wrote in Image, “is an acknowledged
longing to be held, captivated by a
spiritual force — something unseen
but sensed.”
A general mistrust of abstraction — as
opposed to literal representation — in art
leads some in Moss’ Christian circles to question the meaning of his work. Says
Wolfe, “That’s never troubled Ben. He’s always had the sense that abstraction
can
speak profoundly about our response to
God’s creation.”
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