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Spring 2008 | Volume 31, Number 1
| Features
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Response Art Work
The Advent of Breathing
2007
Oil on Canvas
36” x 48”
Christen Mattix
SPU Assistant Professor of Art
“All my paintings are about desire,” says
Christen Mattix, assistant professor of art at Seattle Pacific University. “At times they’re about one’s longing in exile, and, at other times, a joyful opening to the Beloved.”
And sometimes they capture both feelings. Take, for instance, her painting, “The Advent of Breathing,” part of the Hope: Open/Closed exhibit mounted by the SPU art faculty for the Day of Common Learning. In the piece, cream-colored drapes open to reveal the endless blue of sea and sky — an invocation of the eternal. But the scene also involves separation.
“The viewer is contained in a human space behind a window, looking out into the infinite horizon,” explains Mattix. “It’s about the rediscovery of God’s presence,
like coming upon a forgotten view.”
It’s also an indirect response to a Matthew Arnold poem titled “The Sea of Faith.” “His metaphor for God is the tide going out, leaving us,” she says. “But for me, the sea is swelling; the waves are moving closer to us.”
Mattix tries to help students make connections between their faith and their art, but in ways that are natural and not forced. For her, those connections involve the use of recognizable things –– such as window panes and water –– which she hopes will give viewers something to ponder.
She likens her approach to the way Jesus told parables. “In his stories, Jesus provided the starting point for contemplation,” she notes. “That’s what I want to do:
create ‘breathing spaces’ that give viewers opportunities to add their own stories to the painting.”
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from the president
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President Philip Eaton reminds us that God's promise to “do something new” creates and sustains our hope.
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my response
Poetry by Emily Dickinson
SPU Professor Susan VanZanten Gallagher on Emily Dickinson’s Poem #314 and “Hope.”
Response art
The Advent of Breathing
SPU Professor Christen Mattix on “The Advent of Breathing.”
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